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Konstantin Fedorovich Yuon was a painter, graphic artist and stage designer. In his early works, the motives of the Russian countryside can be traced: he was interested in the state of nature, how the seasons change, what kind of life in different cities and villages, the architecture of ancient monasteries. The manner of painting of this creator was influenced by such artists as Serov and Korovin.
When the revolution ended, his personal style almost did not change; the circle of subjects becomes a little different.
From 20 to 50 years of the 20th century, he created paintings on revolutionary topics, and about contemporary life for him, in which he adhered to reality. Landscapes created in those years according to the manner of execution are close to the early works of the 10s of the 20th century, impressionism and "traveling realism" are closely intertwined in them. Subtle lyricism fills them, they are especially valuable from the entire creative heritage of the artist.
In 1949, Konstantin Yuon painted "The Morning of Industrial Moscow" by oil on canvas. Now she is in the State Tretyakov Gallery in Moscow.
This picture depicts a typical everyday early morning. It's winter outside, people go to work, some stop and talk to each other. They look very small compared to the snowy trees that rise above them.
Behind the trees you can see the roofs of wooden houses, in some of them stoves are heated to make it warmer. It can be seen that enterprises are operating in Moscow with might and main, smoke comes from their pipes, which means that workers are working hard during their shift. As if the whole capital is smoky because of these plants.
At the top of the picture, the sky is painted in bluish, yellow and green colors. A bright sun is trying to break through the sky and illuminate the city with its sunbeams, so that it would not be so cold for people to go to work on this frosty day.
Painting The Last Supper Description