Paintings

Description of the painting by Leonardo da Vinci “Portrait of Geneva de Benchi”

Description of the painting by Leonardo da Vinci “Portrait of Geneva de Benchi”



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The work of Leonardo Da Vinci "Portrait of Ginevra de Benchi" refers to the early work of the artist. The artist often painted women, this is one of the distinguishing features of his work. In addition, facial features are drawn so distinctly and vividly that it is not at all difficult to guess the thoughts and feelings of models.

The same goes for this picture. It depicts Ginevra d’Amerigo de Benchi, poetess of Florence at the end of the 15th century. According to researchers and experts, perhaps this is one of the first psychological portraits of the time, in which the mood of sadness is especially pronounced.

According to the assumption, this is due to the fact that the girl not so long ago experienced a breakup with the Venetian ambassador Bernardo Bembo. This feeling is especially emphasized by the play of light and shadow, which was masterfully performed by Leonardo Da Vinci. The emphasis is placed on the pale face of the girl, her eyes and broad cheekbones, which stand out especially against the dark background of the landscape, which is depicted in the background. The girl’s sadness is additionally emphasized by the slightly blurred contours of her body - this is a special technique called sphumato.

Leonardo Da Vinci introduced a sufficient number of innovations in the art of fine art and in this picture he also applied what is not entirely characteristic of Italian portraits of the Renaissance. So, the face of Ginevra is turned to the right, and not to the left, as was characteristic of the traditions of portraiture.

Disputes of experts do not subside to this day about this picture. Some of them believe that the portrait of Ginevra is cropped, that is, the girl's hands should still be visible. This is connected with the thesis of Leonardo, in which he wrote that people are best represented with hands, because they most fully characterize a person’s state and his inner world.

In addition, the collection of Windsor Castle preserved a drawing that depicts female hands, the proportions of which surprisingly correspond to the portrait of Ginevra. Who knows, maybe this is a continuation of the picture.





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